Bollywood's latest spy thriller, Dhurandhar: The Revenge, has achieved a monumental milestone, becoming the first Hindi film to cross the Rs 1,000 crore mark at the Indian box office. This historic achievement comes even as the film experienced a collection dip during its third week in cinemas. Despite facing tough competition from Hollywood releases like Project Hail Mary, the Ranveer Singh and Aditya Dhar collaboration continues to dominate, setting new benchmarks for the industry in early April 2026.

What Happened?

Dhurandhar: The Revenge, directed by Aditya Dhar, has made headlines not just for its engaging storyline but for its unprecedented box office success. While the film saw a noticeable dip in its third-week collections, moving from over Rs 20 crore daily to Rs 10 crore on its third Monday, April 6, 2026, its overall performance remains stellar. On its 20th day, Tuesday, April 7, 2026, the film collected an impressive Rs 10.10 crore, according to industry tracker Sacnilk. This brought its total collection in India to a staggering Rs 1,033.37 crore.

The film's success is a testament to its widespread appeal across various language versions. On April 7, 2026, Dhurandhar: The Revenge recorded its highest occupancy of 19% in both its Kannada and Telugu versions. This was closely followed by 16% in Tamil, 14% in Hindi, and 13% in Malayalam. The movie features a star-studded cast including Ranveer Singh, Arjun Rampal, R Madhavan, Sara Arjun, Gaurav Gera, Rakesh Bedi, Sanjay Dutt, and Danish Pandor in pivotal roles, contributing to its strong pull among audiences nationwide.

In the competitive cinema landscape, Dhurandhar: The Revenge continues to outperform other releases. The Hollywood film Project Hail Mary, starring Ryan Gosling and Sandra Huller, which premiered on March 26, 2026, initially opened with slow box office figures. It collected Rs 2.25 crore on its first day, growing to Rs 2.90 crore on Day 2 and Rs 4.60 crore on Day 3, followed by Rs 4.75 crore on Day 4. However, on its 13th day, April 7, 2026, Phil Lord and Christopher Miller's film earned only Rs 1.85 crore. This brought Project Hail Mary's total collection in India to Rs 41.40 crore, highlighting Dhurandhar 2's continued dominance despite its own collection fluctuations.

Key Highlights

Aditya Dhar's spy thriller Dhurandhar: The Revenge has become the first Hindi film to surpass the Rs 1,000 crore mark in India.
The film’s total collection in India stands at Rs 1,033.37 crore as of April 7, 2026.
Dhurandhar: The Revenge collected Rs 10.10 crore on its 20th day, Tuesday, April 7, 2026.
It recorded its highest occupancy of 19% in its Kannada and Telugu versions on the same day.
The film stars Ranveer Singh, Arjun Rampal, R Madhavan, and Sanjay Dutt, among others.
Hollywood rival Project Hail Mary collected Rs 1.85 crore on its 13th day, April 7, 2026.
Project Hail Mary's total Indian collection reached Rs 41.40 crore by April 7, 2026.

Why Does This Matter?

The achievement of Dhurandhar: The Revenge in crossing the Rs 1,000 crore milestone is a monumental moment for the Indian film industry. It signifies a new era of box office potential for Hindi cinema, demonstrating that Indian films can achieve unprecedented commercial success domestically. For common people, this means a vibrant and robust film industry capable of producing grander, more ambitious projects. It reflects the audience's growing appetite for high-quality Indian storytelling and can inspire filmmakers to push creative and financial boundaries, ultimately leading to more diverse and entertaining options for moviegoers.

Furthermore, the ongoing box office battle between Dhurandhar: The Revenge and Project Hail Mary highlights the dynamic nature of the Indian entertainment market. It shows that while Hollywood films have a dedicated following, a compelling Indian narrative can still outperform international competition, even with a strong Hollywood cast. This competition benefits the audience by ensuring both domestic and international filmmakers strive for excellence to capture attention. It reinforces the idea that good content, regardless of its origin, will find an audience, driving an upward trend in overall film quality and production value for everyone who loves going to the movies.